It was a busy Canada Day weekend in Vancouver for AV Strategies. On Friday our client, GB Sound hired us to provide the audiovisual support including multi-camera IMAG, video projection, our D&B Audiotechnik V-series line array, and lighting for the President Bill Clinton along with James Patterson, who spoke about their new book, “The President in Missing” a novel that provides a front-row seat to the inner workings of the US political system and the Presidency. This highly attended event held in the West Ballrooms at the Vancouver Convention Centre required our team of audiovisual technicians to be extensively vetted by the US Secret Service.
A day later, we provided our Stageline SL260 portable stage to help Vancouver celebrate the 151st birthday of Canada at Canada Place. This award-winning event, presented by the Port of Vancouver, is the largest Canada Day celebration outside the nation’s capital.
Our client, BRANDLIVE, deemed the SL260 to be the perfect stage to handle the variety of acts performing and to accommodate the City of Vancouver’s stringent time requirements for load-in and load-out. We set-up the stage and lighting, on the evening prior to the event and were ready for performances that took place throughout the day on July 1st. The performances concluded at 6:00pm and we had the stage packed up and cleared by 8:30pm, well before crowds moved in to enjoy the fireworks. While the weather cooperated for the most part, it was nice to have the covered wing for the monitor mix position.
A special ceremony was held in Vancouver today to announce the names of two high-profile public plazas will be given Indigenous names. Our client, The City of Vancouver, hired AV Strategies to provide full audiovisual support for the event. We deployed our SL-100 Stageline portable stage to provide the outdoor venue for this significant announcement.
Vancouver Mayor Gregor Robertson was joined at the event by the Honourable Jinny Sims, the provincial Minister of Citizens’ Services, and others from the City to preside over the announcement.
In addition to the SL-100 Mix Mobile Stage, we provided audio support and lighting. Our new Elation LED Blinders were used to eliminate shadows and enhance the camera shots for the media who were on hand to cover the event.
Large meetings and conferences involve many moving parts. There’s F&B, transportation, vendor management, presenter support—the list goes on. While an extraordinary amount of thought and energy goes into the stage design, décor, lighting, and audiovisual components of large plenary sessions, often the breakout rooms are given less consideration. But in fact, some of the most relevant and valuable content at a conference is delivered through the breakout sessions, so making sure they go smoothly is vitally important.
At AVS we understand this. Our years of experience supporting conference organizers and presenters at breakout sessions tells us that the information delivered at the breakouts is equally as important to the presenter and the audience, as it is to the keynote presenter in the main tent.
We strive to deliver quality and consistency in each and every breakout room. We have developed equipment packages in truck-pack, tour rugged road cases that include everything required.
For audio support, we deploy QSC Touchmix series digital mixers, which include EQ, time alignment, and compression built in. We carry Shure Wireless microphones and use the Shure Wireless Workbench software for frequency management. Each room includes a PC DI box for computer audio inputs and a wireless cue advance device with integrated laser pointers.
For visuals, our clients can select between our complete line of LED flat screen displays ranging from 40 to 90 inches or for larger rooms, we are now spec’ing our inventory of Christie DHD630-GS 5K Digital laser projectors. These laser projectors have the advantage of providing a very bright, crisp, HD picture with an incredibly high contrast ratio, making the content look amazing. They’re also whisper quiet, which is important in smaller rooms.
The breakout experience can have a huge impact on the attendee experience and an even bigger impact on the presenter experience. To manage specific breakout requirements, we have an electronic form that can be completed by the presenters, so they fill in exactly what they need.
These days there are numerous types of proprietary connections and adapters to connect laptops and projection devices. Presenters don’t always travel with the adapters they need, nor do they necessarily have the knowledge to connect their device to a projector. Our breakout room packages include all the technology to provide seamless support and our competent technicians ensure the breakouts run smoothly. We staff breakout rooms to ensure presenters always have the support they need. And because our breakout packages include digital mixers, our roaming audio tech can visit each room and adjust audio levels directly from their iPad tablet interface.
Event planners shouldn’t have to be chasing down the in-house AV tech who is on another floor setting up equipment for another client. The right equipment along with dedicated resources will prevent the 15 minutes of panic that is all too common every time a breakout session starts.
avs and the Best Part of Summer
The Fair at the PNE was a roaring success again this year. Vancouver experienced the best weather in years during the Fair, which helped bolster the size of the crowds throughout the two week festival. The Fair is considered the best part of summer with exciting exhibits, rides, nightly headline entertainment and plenty of food and drink.
Once again AV Strategies played a pivotal role in the Fair by providing much of the AV, sound, lighting and, of course, our Stageline SL-100 along with the the PA system for Festival Park.
In addition to Festival Park, we provided audio and lighting for the Plaza Beer Garden and full stage lighting for Summer Night Concerts at the PNE Amphitheatre, which featured act such as ZZ Top, the Doobie Brothers, and the Pointer Sisters. On the last weekend of the Fair, the Amphitheatre stage became the venue for iHeartRadio Beach Ball, featuring big names like Lorde, Train, Serena Ryder, the Philosopher Kings, and many more.
In the Pacific Coliseum we provided live cameras and video projection using our new Christie Laser Projectors along with the audio system featuring our new d&b Line Array. This underscores our ability to provide audio for large venues such as the Coliseum with over 16,000 seats. The Pacific Coliseum provides the venue for both SuperDogs and UNBELIEVEABLE: A Magical Experience. These shows are big crowd pleasers throughout the Fair.
Again this year, we supported the Fair’s Entertainment producer, Patrick Roberge Productions, by producing multimedia content to enhance some of the live shows.
We are proud to be selected as a vendor for the Fair and to be part of this Vancouver institution.
We have recently added the d&b audiotechnik V-Series line array system to our national inventory. Our packages incorporate a mix of V8/V12 mid-highs, V-GSUB subwoofers, Y10P point source loudspeakers for out fills, E8 front fills and D80 amplifiers.
Comprised of both line array systems and point source solutions, the V-Series is the answer for any medium to large scale sound reinforcement application. The 3-way passive loudspeakers all share the same dipolar driver arrangement, while the subwoofers all exhibit d&b cardioid technology. In short, the V-Series is a verifiable recipe for success.
We recently deployed a system in Vancouver’s Pacific Coliseum for the Fair at the PNE.
Feel free to learn more about the d&b audiotechnik here.
In order to keep our inventory up-to-date with the latest technology – we have added new projectors to our national inventory. Introducing the Christie DHD850-GS Projector with the Christie One Rigging Frame.
Laser phosphor is a lampless projection illumination platform, so no more lamp filter replacements! Instead, it uses blue laser diodes as the primary light source and generates the other colours by exciting a phosphor-coated wheel. The projector then sends the separated red, green and blue colors onto an imaging surface, such as a DLP® chip, which then sends the light through a lens and onto the projection screen. The value for your event is that this technology combines high-brightness capabilities with a long operational life, low maintenance and reduced downtime for a low total cost of ownership.
This technology meets our high standards not only with bright and accurate images, but in changing environments, too. With Christie BoldColor Technology, those laser phosphor projected images are authentically reproduced by meeting the Rec. 709 standard. What this means is practical benefits for you, even in uncontrolled environments, such as rooms where ambient light may fluctuate. An investment in Christie technology means your vision will not falter or come up short.
The Christie One Rigging Frame is a single assembly that fastens to the bottom of the projector. It can be hung in normal or inverted orientations, and can support up to three stacked projectors. If need be, it’s versatility also allows it to mount the projectors to truss in a portrait orientation.
Here at AV Strategies, we believe in offering you the best options for your events. On top of all of the incredible features, Christie technology is greener and more efficient than many comparable projection systems. No bulbs mean less waste and less chance of a projector going down during a show. If you have any questions about these projectors or any other AV solution, contact us to discuss your next event!
Do they own the things they say? Many small companies claim to be a full service AV company but upon visiting their warehouse it can become clear that they only own a small portion of the equipment required to execute your show. While it is common for companies to cross-rent some gear, if the majority of the equipment is rented from another company then the chances of the technicians not being familiar with the gear can lead to delays in setup, missing components, equipment that is not functioning properly, etc.
Do they offer full service or do you have to find your own lighting company?
Some AV companies will help design an event with floor plans technical drawings etc. Others expect the client to provide all that.
Do they have long term clients? Who are they? Clients that provide credible reference.
One location may be fine if you are doing a single event but how will your AV supplier support you in other cities. Do they have a service strategy to provide national support?
Often AV companies budget for what they have been asked for but they are many other things you may not have considered such as speaker timers, comfort monitors, back up computers, enough wireless mics, etc. Some companies don’t include these on their original quote and then ding the client later for add-ons.
Are they able to offer other services such as webcasting, content creation, event apps. It is common to bring in a webcasting company, for instance, but it a much more seamless process if your AV provider can offer that service, providing the y have the expertise to execute it properly. Again, it is important to see a portfolio of shows and to ask, “what components of this show did you do”, and get a reference from that client to verify. Often, the most impressive elements you see in a picture of a show are the set and the lighting and often the AV company had nothing to do with those components of the show. If you are looking for a turnkey AV provider, ask the right questions.